These vibrations are actuated on Modular Synthesizers, Electronic Percussion, Live Instruments and Voice, by members of the Harvard Music Department and its interdisciplinary research collective: Creative Practice & Critical Inquiry (CPCI).
The goal: To recreate aspects of the psychedelic experience for the performers and audience, as their brainwaves “get on the same wavelength(s)” as the music – a phenomenon also known as auditory neural entrainment.
This is part of an ongoing investigation of music, entrainment, and the potential of neuroaesthetic ritual interventions for mental health and socio-emotional wellness.